La lycéenne Hinako se lance dans une aventure mouvementée entre ce monde et l'au-delà lorsque son lit de rivière familier se transforme en Sanzu River. Elle s'associe à l'étrange Issa pour explorer des lieux inquiétants, comme une mystérieuse demeure peuplée de créatures biscornues. Ce survival horror japonais se déploie à travers un somptueux pixel art évoquant les paysages ukiyoe et les illusions kabuki, ancré dans les anciennes coutumes et le folklore, tels que Oiran Yashiki et Kitsune no Yomeiri.
Les joueurs arpentent des routes divergentes dans un récit RPG à multi-endings qui traverse des siècles de liens entre humains et divinités dans une petite ville japonaise, à méditer sur l'irremplaçable valeur de la vie et les attaches avec autrui. La durée de jeu s'élève à 3-4 heures pour une complétion complète, ou 6-8 heures pour débloquer tous les fins, avec illustrations fixes et animations 2D qui enrichissent le périple dans les enfers. Les fans d'indie horror amateurs de récits pixel art atmosphériques et narrations inspirées du folklore y trouveront leur bonheur.
This multi-ending Japanese-style horror adventure was the only game awarded the Grand Prize in the Newcomer's Award sponsored by "Game Magazine", which has published masterpieces by individual creators such as “Tsugunohi,” “Angels of Death,” and “Noel the Mortal Fate“.
This horror game allows players to enjoy a checkered adventure between this world and the next while immersing themselves in the mysterious world of the underworld through beautiful pixel art expression that makes the most of Japanese charm.
◆Assumed play time
To complete the game: about 3 to 4 hours
To collect all ED branches: about 6 to 8 hours
1）Visual beauty of “Wa”
You can play games amidst beautiful Japanese visuals inspired by Kawase Hasui's new prints and other works.
Enjoy the beautiful ukiyoe-like landscapes and bold Kabuki-like illusions of the uniquely Japanese world of “death”.
2）Japanese-style horror scare experience
You will experience a horror story with a production style that incorporates old Japanese customs and folklore, such as the Oiran Yashiki and the Kitsune no Yomeiri.
Please join the main character, high school girl Hinako, and experience the horror of a world “between life and death” that is unique to Japan.
3）A multi-ED story about “death"
Facing the “death” of a relative, the artist impulsively started to create this work.
The story of the “irreplaceability” of life and the “connection with others” can be experienced by following several divergent routes through the centuries-long story of “love” between human beings and God in a small town in Japan.
Still illustrations and 2D animations drawn by the author himself are also found throughout the book.
A memory from the distant, distant past--
Hinako was crying in the forest,
A mysterious floating being gave her an "OMUSUBI" and .......
Time passed, and Hinako was living a peaceful life as a high school student.
However, her path to school suddenly turns into an eerie place,
The familiar riverbed has been transformed into the Sanzu River!
The river that Hinako is heading to is a hell, a place between this world and the next.
She encounters a crowd of bizarre creatures.
The girl's eyes are filled with the mysterious happenings of the heavenly world.
The girl and Issa, a man with a peculiar appearance, go through the mysterious devices of the mysterious mansion,
Will the girl be able to return safely to the “world” where her family awaits her?
The Japanese-style horror game, which won the only Grand Prize in the Newcomer's Award sponsored by "Game Magazine", is finally available on Steam.
日下部 一（KUSAKABE OSAMU）
In June 2019, this work, "OMUSUBI" won the 2nd Game Magazine Newcomer Award, sponsored by ”Game Magazine”, which has serialized “Tsugunohi” and “Angels of Death”. This work is her first commercial work.
Her favorite rice ball ingredient is pickled plum.
"Game Magazine" actively supports the creation and distribution of derivative works (manga, illustrations, goods, novels, live-action videos, etc.) related to our works.
We hope that the appeal of our works will be conveyed to as many people as possible through the secondary creative activities of our fans.
For this reason, no prior confirmation or notification to us is required for non-commercial doujinshi activities (production and distribution of doujinshi, posting on video and illustration websites, etc.).
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